Art For Art's Sake

How good should the paintings be from an artist who has no training as artist, is all self-taught, and from time available from working as an orthopaedic surgeon in an NHS hospital finds a little time every now and then to push the laptop away from the study table and start to paint, only to satisfy the inner desire to express? Henri Matisse once said that he wanted his art to be like an armchair where one could relax after a busy day...what makes an artwork a work of art? Does the label of Piccasso to an abstract artwork suddenly make it a masterpiece of modern art, even if you would need Tim Marlow's eye to see the real art in it? Over the years, art which was the domain of kings and churches and depicted historical and religeous stories became the expression of common man to convey the feelings of everyday life, and eventually to come to street in the form of graffities and street art...and now art is everywhere, there is no bar on how the art is going to look like..the good, the bad and the ugly.







Painting for me is to express what I see around me, it is a means to diffuse my stresses and makes me happy even if I am the only person to like a particular work, after all there is something unique in it: it's my work! So go ahead and see the work I have done in the last couple of years, if you like it, do write to me and if you don't, still write to me and let me know why I should stop painting and start doing something else...



Navid Qureshi.



Monday, 17 May 2010

Qureshi's High...











The first painting by J. M. W. Turner shows the High (High Street, Oxford) in 1809–10, with University College on the left, the Warden’s house of All Souls College on the right, and Carfax in the distance.
On the left (beyond the boys picking up spilt oranges) are workmen pulling down Deep Hall, where the scientist Robert Boyle lived between 1655 and 1668: a plaque on the western side of University College marks the site. The original painting was commissioned by James Wyatt, with a view to having it engraved so that he could sell it as a print at his shop at 115 High Street. The original painting is now part of the Loyd Collection and is on long-term loan to the Ashmolean Museum.

The second painting is same spot where Turner made his painting, 200 years later. If you look at the right side of the painting you can see that Turner straightened and widened the High Street to allow for a longer view. The tree on the right side of the scene is smaller but is pushed on the right side in Turner's painting due to straightening of the curve. The curve outside the All Souls College is actually sharper as accurately shown in my painting.

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